ENSEMBLE 5 live@AFTERBEAT Kyoto - Part I
ENSEMBLE 5 live@AFTERBEAT Kyoto - Part II
Ensemble 5 Wednesday 4+1 Series
Trailer Wednesday 4+1 Series 2014/15
New CDs on Leo Records:
THE COLLECTIVE MIND THE COLLECTIVE MIND Vol.2
recommended by New York City Jazz Record
- „The music is so abstract that it makes Cecil Taylor sound like Hazel Scott.“
- Lynn René Bayley, The Art Music Lounge
- „...on ne peut plus douter un seul instant du riche futur de l’Ensemble 5.“
- Luc Bouquet, le son du grisli
- „Für mich klingt das zeitgemäßer als Vieles, was sich so nennt.“
- Rigobert Dittmann, Bad Alchemy
- „A tightly-knit group playing dynamic, talktative improvisations with lots of control, as testified by the one-two punch two-and-a-half-minute opener ¨In short¨. Quite convinving.“
- François Couture
- „I brani convincono, la musica prosegue per onde di forte e piano, di free e astrattismi e il coinvolgimento di ascoltatori e musicisti è totale.“
- Vittorio LoConte, Music Zoom
- „Ein Abenteuer für Unverzagte.“
- Manfred Papst, NZZ am Sonntag
- „...the five players from different worlds of music bring their abilities to create an astounding unity. I admire the expressions of this tight knit group.“
- Yuki Omura, Jazz Japan
- „Réunis en parfaite connivence, ils s’appellent, se répondent, répliquent, entremêlent leurs voix, bref se régalent et improvisent à qui mieux mieux dans une série de pièces de free jazz dynamique et stimulant.“
- Jean Buzelin, Culture Jazz
- „...an entirely free improv collective that holds together cohesively, blending well the art of noise with a gentler vocabulary.“
- Selwyn Harris, Jazzwise
- „...un abbraccio virtuoso e stimolante tra generazioni dalla mente aperta e dalla voglia continua di mettersi in gioco.“
- Vincenzo Roggero, Italia all about jazz
- „... Ensemble 5 embraces a great deal of fertile musical space.“
- Glenn Astarita, all about jazz
- „... a true simulation of human feelings.“
- Ettore Garzia, Percorsi Musicali
- „... a really enjoyable and uplifting listening experience.“
- Joacim Nyberg, Soundofmusic
- „... With Ensemble 5, Heinz Geisser has hit a gold streak. This second CD for Leo Records is even better than their debut. Eight pieces in the three-to-seven-minute range, all focused, rich, thrilling improvisations that go straight to the point. And “Mother Earth,” with its atavistic chanting, is adorable. I just had to listen to this Cd twice in a row.“
- François Couture
- „... La loro musica vuole essere contemporanea, onnivora, quasi globalizzata perchè in grado di prendere da tanti fonti di ispirazione e sa fondere i diversi elementi in modo coerente, a volte sottile a volte più energizzante grazie al pianoforte ed alla ritmica che agiscono costantemente empatici su una linea di percorso molto chiara.“
- Vittorio LoConte, Music Zoom
- „... Geisser [...] Blumer [...] Staub [...] und Morgenthaler brillieren immer wieder mit Soli, die sich jedoch stets in den übergeordneten Kontext einer gemeinsamen Richtung einordnen - ohne sich dabei zu subordinieren. Nomen es omen: das Ensemblespiel der vier Musiker wird zu keinem Zeitpunkt sekundär, sondern beherrscht das Geschehen im Studio souverän.“
- Rainer Bratfisch, Jazzpodium
- „... Frei geformter, transparenter, spannungsgeladener Jazz einer hervorragend aufgestellten, homogenen Band in ihrer zweiten Veröffentlichung.“
- Christian Gysi, JazzLinks
- „... there is never a drift away from the metre and through the album the solidity is constant. This coherence in what is very evidently a suite of freely improvised free jazz is impressive: it depends of course on a vivacious, aural structure, itself drawn from a breadth of musical lexis and expression.“
- Ken Cheetham, Jazz Views
- „... The freedom Ensemble 5 exhibits [is] a freedom to make music, real music.“
- Mark Corroto, All About Jazz
- „... eines der prickelndsten Ensembles des NowJazz.“
- Rigobert Dittmann, Bad Alchemy
- „If you like your pointillism pointed, rather than random, evolutionary, rather than open ended, then this should prove a very satisfactory listen indeed.“
- Robert D. Rusch, Cadence Magazine
- „...and the marvelous interplay that they thrive on. By turns playful or deadly serious, but never dull, the music of Ensemble 5 is a powerful dose of free jazz. Strongly recommended.“
- Stuart Kremsky, Mr. Stu’s Record Room
more Videos: Japan 2013
Heinz Geisser - percussion
Fridolin Blumer - double bass
Reto Staub - piano
Robert Morgenthaler - trombone
The Ensemble 5 draws from the pool of a wide range of musical expression. The various musical backgrounds of the four musicians, their broad vocabulary and their capability to listen and react to each other constitute the seeds for the creation of the vibrant and colorful design of their music.
The group assembled in Zürich over a course of jam sessions in 2010. 2012 marks the release of their first recording on the critically acclaimed British label Leo Records. In 2013 the Ensemble 5 has toured Japan and has recorded for Swiss National Radio. Their following albums on Leo Records „The Summary of 4 Vol.1 & Vol.2’’ have been awarded by The New York City Jazz Record among „Best of 2014’’.
Ensemble 5, from left to right Fridolin Blumer, Reto Staub, Heinz Geisser, Robert Morgenthaler; Photo by Bettina Scherz.
Heinz Geisser (*1961 in Zurich, Switzerland) musician and composer, studied classical guitar with Ermano Maggini and classical percussion with Horst Hofmann at the Zurich Music Conservatory. By his mid-twenties he was awarded the soloist diploma on classical guitar. Self-taught on jazz guitar his first recording was in 1988 with Swiss saxophonist Urs Blöchlinger. In the early 90’s however, drums and percussion became his main instrument and further on he has been focusing on improvised music. During an extended visit to New York City he formed the Collective 4tet with Mark Hennen, Jeff Hoyer and William Parker in 1992. Their half a dozen albums on Leo Records have received outstanding reviews including several four star ratings in the Penguin Guide to Jazz. For the last two decades Heinz Geisser has performed and recorded with many leading artists in the USA, Europe and Asia including Guerino Mazzola, Sirone, Mat Maneri, Rob Brown, Arthur Brooks, Scott Fields, Elliott Levin, Alfred Zimmerlin, Shiro Onuma, Eiichi Hayashi, Takayuki Kato, I Wayan Sadra, among many others. Heinz Geisser has produced over 30 albums released on US and EU Labels such as Leo Records, Black Saint, Music&Arts, Silkheart Records, Cadence Jazz Records, Ayler Records etc. A collaboration with Indonesian filmdirector Garin Nugroho has led to the music documentary "Teak Leaves at the Temples". The movie premiered in 2008 at the international filmfestivals Rotterdam and Hongkong. 2012 marks the release of his first album with Ensemble 5 on Leo Records.
Fridolin Blumer (*1984) is a freelance bassist. As an improviser and performer, he is often on stage and plays topical and new music.
At the age of eight he began playing violoncello and switched to bass at age of 15. Since 1999 he explores the musical tradition, the acoustic events of today and the related way of playing the bass. From 2003 to 2008 he studied at the music academy of Basel, jazz department.
Major inspirations are the black american music, european classical music and various folk musics.
Reto Staub (*1979) studied piano with Tomasz Herbut at the Bern University of the arts. He did chamber music classes for contemporary classical music with Reinbert de Leuw, Maurizio Kagel and Ensemble Modern and graduated theater music courses with Georges Aperghis and Françoise Rivalland. 2006/2007 he was scholarship holder at the International Ensemble Modern Academy in Frankfurt/Main. Further artistic animations from Pierre-Laurent Aimard, Peter Donohoe, Thomas Larcher, Andreas Staier and Verena Bosshart, Pierre Sublet.
Reto Staub is pianist in Ensemble Linea, Strasbourg since 2007 and he is part of Ensemble Nikel. He participated in several projects and premieres in Western- and Eastern Europe, USA, Canada, Kuwait, South Korea, Brazil and Israel with Ensemble Modern, Ensemble Nikel and Ensemble Linea. Festival performances include Wien Modern, Klangspuren Schwaz, Champs Libre Strasbourg and Ultraschall Berlin, Contempuls Prag, Festival Darmstadt, Tzlil Meudcan Tel Aviv and 30. Konstanzer Jazzherbst & Landesjazzfestival 2009.
Robert Morgenthaler (*1952), trombone player, alpine horn player and composer studied at the Zurich Music Conservatory and Swiss Jazz School Bern. Since 1979 he is professor at the „Hochschule für Musik und Theater“ in Bern. Worldwide activities as a high-level improviser, soloist and project manager.
Robert Morgenthaler has performed and recorded with Carla Bley, Victor Lewis, Steve Swallow, Bob Stewart, Joe Haider, Mel Lewis, Robin Eubanks, Michel Godard, Gunter Schuller, Jean-Paul Bourelly, Günter "Baby" Sommer, Lee Konitz, Hannibal Marvin Peterson, Kenny Wheeler. In 1994 he founded "Roots of Communication". The group toured Europe, Africa, Asia and USA. Robert Morgenthaler took part in various interdisciplinary projects like World Expo 2000 in Hannover with Peter Zumthor, 2001 "Novemberland" with Günter Grass, Swiss Expo 02, Wuppertal 03 and 04 with Pina Bausch and World Expo 2010 in Shanghai with Erika Stucky.
Since 1989 the magazine „Jazz“ has elected him several times trombone player of the year.